Originally published in Lute News: The Lute Society Magazine.
Reprinted by permission of Peter Forrester and The Lute Society.
Top.
4 course diatonic pattern suitable for North European repertoire.
Also for the top 4 courses of the small 6 course Italian cittern, e.g.
Campi, R.C.M.; Anon, Rome.
2nd.
Pattern suitable for traditional large Italian cittern
circa 1600. e.g. Augustinus, V&A; "Amati", museo Bardini, Florence.
3rd.
4 and 6 course chromatic pattern.
Fret factors for sixth comma meantone
Fret
1.
.0605
7.
.3320
2.
.1075
8.
.3724
3.
.1614
9.
.4037
4.
.2034
10.
.4398
4. (diatonic Italian)
.2121
11. (chromatic)
.4708
5.
.2515
11. (diatonic)
.4736
6.
.2968
12.
.5000
Further information is available in:
Eugen M. Dombois, "Varieties of Meantone Temperament Realized on the Lute,"
Journal of the Lute Society of America 7 (1974), 82-89. Corrections
in: 8 (1975), 106 and 9 (1976), 108.
Eugen M. Dombois, "Lute Temperament in Hans Gerle (1532)," The Lute,
1982 part 1, The Journal of the Lute Society, 3-13.
Martin Shepherd, "The Well Tempered Lute," Lute News 41, (March 1997),
8-10.