Period Sources of Printed Music for Cittern, Bandora, & Orpharion
Last updated
Sunday, April 02, 2023.
The following is a table of period printed (as opposed to manuscript)
sources of music for cittern, bandora, and orpharion. Clicking on a title in blue will display the contents
for that book.
I hope eventually to have links to the contents for all extant prints. If there are any other sources you know of that have been missed,
or if you have a correction, please contact me and I will be more than happy to include them.
While Brown's Instrumental Music lists this volume as 156?, Grijp notes in "Fret Patterns of the Cittern" that Brown's source lists no date for theTroisième Livre and one of Mersenne's texts lists a book by Le Roy with a specific date of 1570.
Italian tuning.
Works for cittern solo, cittern with voice, and cittern with bass.
The Psalmes of David in Meter
Allison, Richard
1599
London: William Barley
4-course chromatic cittern
French tab
Italian tuning.
Consort songs set for voices, lute or orpharion and cittern. (Bandora is also specified as an option on the title page, but no bandora tablature is included.)
Italian tuning. Works for "English Consort" (2 viols, lute, bandora, flute, and cittern). Of the two cittern partbooks, only the 1599 edition survives.
[Niew Chyterboek]
Sweelinck, J.P.
1602
Amsterdam?
[Primo Libro D'Intavolatura di Citara?]?
Vincenti, G. ?
pre-1602?
Venetia: Giacomo Vincenti?
6-course? diatonic?
Italian tab.?
While not listed by any other source, Vincenti's Secondo Libro D'Intavolatura di Citara indicates that there was an earlier, first book. That such a book
is for a 6-course diatonically fretted cittern in Italian tablature is purely conjecture based
upon the Secondo Libro.
* Tablature is for a "strictly" diatonic instrument (i.e. no partial frets in chromatic positions), but uses asterisks to indicate
chromatic notes between the diatonic frets. The tablature system appears to be an attempt to fit later music to a more archaic(?) instrument.
Does the fact that this is a "secondo libro" indicate that there had
been a previous book for cittern by Vincenti?
Italian tuning;
works for "English Consort" (2 viols, lute, bandora, flute, and cittern). Second edition of 1599 volume. Of the two cittern partbooks, only the 1599 edition survives. Based on the other surviving partbooks from 1611, the cittern 1611 edition contained two additional pieces.
[Der Violen-Cythaer mit vyf Snaaren, en niewe Sorte
melodieuse inventie, twe Naturen hebbende, vier Parthyen spelende, licht
de leeren, half Violens half Cyther...]
Vreedman, Michael
1612
Arnheim: ?
violin-cittern?
Michael Vreedman was
the son of Sebastian Vreedman and was a maker of violins and citterns in Utrecht from
1583 on. He supposedly invented a violin-cittern, for which this method
(in tablature) was published.
Vander Straeten, La musique au Pays-Bas VIII, pp.419ff prints a 17th-century list of musicalia which contains mention of
"Obras de Cythara, Miguel Vreedman." (Waldbauer) Whether or not these "obras" were also for the violin-cittern
or for regular cittern is unknown.
A copy of Der Violen Cyther also shows up in an inventory of Frisian clerk Pibo Gaulthieri of Leeuwarden in 1618, along with two six-course citterns built by Vreedman. (Visscher)
The Teares or Lamentacions of a Sorrowfull Soule
Leighton, Sir William
1614
London: William Stansby
4-course chromatic cittern
French tab
The first half of this work contains religious consort songs set for what appears to be an "English Consort" (2 viols, lute, bandora, flute, and cittern) plus voices.
Note: the 1613 edition does not contain music.
Intavolatura di Liuto Attiorbato, Libro Quarto
Melii, Pietro Paulo
1616
Venetia: Giacomo Vincenti
9c. ("Citara Tiorbata") chromatic cittern
Italian tab
Italian tuning, 9(+?) courses, "Cordatura del Signor Paolo Virgo," possibly F or A-?-G-d-f-b-g-d'-e'. (Segerman erroneously calls for A-B-c-d-f-b-g-d'-e'.)
Primarily works for lute; however, the volume contains a Ballet for
9c. cittern, 3 lutes, violin,
bass viol, flute, harp, and clavicembalo.
[Der Cytharen Lusthoff]
pre-1618
A copy of this book is listed in the inventory of Frisian clerk Pibo Gaulthieri of Leeuwarden in 1618. (Visscher)
Neder-Landtsche Gedenck-Clanck
Valerius, Adrian
1626
Haerlem
4-course diatonic cittern
French tab
French tuning. Works for voice, lute and cittern.
[A Booke of New Lessons for the Citharen]?
Playford, John
[var. editions, 1650 ... 1658]*
* See Ward, pp. 83-93 for a detailed explantion of Playford's publications for cittern
[Treasury of Musick for Cithern, Therobo-Lute and Viol]?
* See Ward, p.93
Sources for Bandora:
Title
Composer / Publisher
Year of Publication
Place of Publication / Publisher
Type of Instrument
Type of Tablature
Notes
A banquet of daintie conceits
Munday, Anthony
1588
London: I. C[harlewood]
[bandora]
Title lists that the volume contains pieces to be sung "either to the lute, bandora, virginalles, or anie other instrument".
No bandora tablature included.
A new booke of tabliture for the bandora
Barley, William
1596
London
7-course bandora
French tab.
Both for solo bandora and bandora with voice.
The Psalmes of David in Meter
Allison, Richard
1599
London: William Barley
[bandora]
Italian tuning.
Consort songs set for voices, lute or orpharion and cittern. (Bandora is also specified as an option on the title page, but no bandora tablature is included.)
Italian tuning. Works for "English Consort" (2 viols, lute, bandora, flute, and cittern). Of the two cittern partbooks, only the 1599 edition survives.
The Schoole of Musicke
Robinson, Thomas
1603
London: Thomas Este
[bandora]
Though bandora is mentioned on the title page, no bandora tablature is included.specifically for orpharion.
Consort Lessons
Rosseter, Philip
1609
London: Thomas Este
6-course bandora
French tab
Italian tuning.
Works for "English Consort" (2 viols, lute, bandora, flute, and cittern).
Italian tuning;
works for "English Consort" (2 viols, lute, bandora, flute, and cittern). Second edition of 1599 volume. Of the two cittern partbooks, only the 1599 edition survives. Based on the other surviving partbooks from 1611, the cittern 1611 edition contained two additional pieces.
The Teares or Lamentacions of a Sorrowfull Soule
Leighton, Sir William
1614
London: William Stansby
6-course(?) bandora
French tab
The first half of this work contains religious consort songs set for what appears to be an "English Consort" (2 viols, lute, bandora, flute, and cittern) plus voices.
Note: the 1613 edition does not contain music.
Mottects or Graue chamber musique
Peerson, Martin
1630
London: William Stansby
[bandora]
The full title states that the music is "all fit for voyces and vials, with an organ part; which for want of organs, may be performed on virginals, base-lute, bandora, or Irish harpe."
No bandora tablature included.
Sources for Orpharion:
Title
Composer / Publisher
Year of Publication
Place of Publication / Publisher
Type of Instrument
Type of Tablature
Notes
A new booke of tabliture for the orpharion
Barley, William
1596
London
7-course orpharion
French tab.
The Psalmes of David in Meter
Allison, Richard
1599
London: William Barley
[orpharion]
French tab.
Italian tuning.
Consort songs set for voices, lute or orpharion and cittern. (Bandora is also specified as an option on the title page, but no bandora tablature is included.)
The First Booke of Songes or Ayres
Dowland, John
1600
London: Peter Short
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The Second Booke of Songes or Ayres
Dowland, John
1600
London: Thomas Este
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
A Booke of Ayres
Campion, Thomas and Philip Rosseter
1601
London: Thomas Este
[8-course orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The First Booke of Songes or Ayres ... Newly Corrected.
Dowland, John
1603
London: E. Short
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The Third and Last Booke of Songs or Aires
Dowland, John
1603
London: Peter Short
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The Schoole of Musicke
Robinson, Thomas
1603
London: Thomas Este
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The First Booke of Songs or Ayres of 4. Parts
Pilkington, Francis
1605
London: Thomas Este
[7-course orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
A Booke of Ayres with a Triplicitie of Musicke
Bartlet, John
1606
London: John Windet
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The First Booke of Songes or Ayres ... Newly Corrected and Amended.
Dowland, John
1606
London: Humfrey Lownes
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
Musicke of Sundrie Kindes
Ford, Thomas.
1607
London: John Browne
[6-, 7-, and 8-course orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
Captain Humes Poeticall Musicke
Hume, Tobias
1607
London: John Windet
[two orpharion + bass viol]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The First Booke of Songes or Ayres ... Newly Corrected and Amended.
Dowland, John
1613
London: Humfrey Lownes
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
Sacred Hymns, Consisting of Fifti Select Psalms of David and Others, Paraphrastically Turned into English Verse
Sandys, Sir Edwin and Robert Tailour
1615
London: Thomas Snodham
[6-, 7-, 8-, and 9-course orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The Third and Fourth Booke of Ayres
Campion, Thomas
1617
London: Thomas Snodham
[orpharion]
French tab
Orpharion is mentioned as a possibility on the title page, but no pieces are listed as specifically for orpharion.
The Second Set of Madrigals
Pilkington, Francis
1624
London
orpharion
French tab.
The Altus book contains a "Pavan for Orpharion."
Bibliographical Sources:
Brown, Howard Mayer.Instrumental Music Printed Before 1600: A Bibliography. Cambridge, Mass.: Harvard University Press, 1965.
Gill, Donald. "The Orpharion and the Bandora." Galpin Society Journal (1960), p.14-25.
Grijp, Louis Peter. "Fret Patterns of the Cittern." GSJ 34 (1981), pp.62-97. Also [in French] in Musique Ancienne 21 (1986), pp. 40-69.
Harwood, Ian and James Tyler. "Cittern." New Grove Dictionary of Musical Instruments.
Tyler, James. "Ceterone." New Grove Dictionary of Musical Instruments.
Visscher, R. Iets over het muziekleven te Leeuwarden in het begin der 17e eeuw, in: De vrije Fries 28 (1928), pp.17-31, cited in: Grijp, Louis Peter. "The cittern of Sweelinck and Vermeer. Contextual information for the excavated Zuyderzee citterns," in: Michaelsteiner Konferenzberichte 66: Gittare und Zister — Bauweise, Spieltechnik und Geschichte bis 1800.(2005).
Waldbauer, Ivan. The Cittern in the Sixteenth Century and its Music in France and the Low Countries. Dissertation. Harvard University (1964), pp.297-8 (see also footnotes 88 and 89).
Ward, John. "Sprightly and Cheerful Musick: notes on the cittern, gittern and guitar in 16th- and 17th-century England." LSJ 21 (1979-81).
Source Citation: Hartig, Andrew. "Period Sources of Printed Music for Cittern." Renovata Cythara: The Renaissance Cittern Site. Ed. Andrew Hartig.
02 April 2023.
21 December 2024.
<http://www.cittern.theaterofmusic.com/printed/index.html>.