Piece # |
Picot # |
Title |
Notes |
1 |
10 |
Allemande Damour [i.e. d'amour] |
Half of a duet? Treble to piece #4. |
2 |
11 |
Allemande de Bourgoingne Le feu le traict le Brandon de ce petit cupidon |
|
3a
3b |
12 |
Allemande du prince
Reprinse / Espoir cõtexte :- |
Picot #59, text without music, contains words that may go with this piece. According to the notes I received with the copy, the rubric(?) reads "Chanson nouvelle. Allemande du prince de Parme ". The opening line of the text is listed as "Helas, helas! madame". |
4 |
13 |
Allem[ande] Damour
Bassus |
Half of a duet? Bassus to piece #1. (Cittern a 5th below standard tuning.) |
5 |
14 |
Allemande fortune helas pour quoy |
Picot #52, text without music, contains words that probably go with this piece. According to the notes I received with the copy, the rubric(?) reads "Chanson nouvelle, envoyee par un amant a sa dame: sur la voyx: Fortune helas pourquoy, 1582". The opening line of the text is listed as "Cupidon, par ton dart". |
6 |
15 |
Allemande Du prince De parme |
|
7 |
16 |
Allemande de la Torche |
|
8 |
17 |
Allemande la huguenotte |
|
9 |
18 |
Allemande Quand ie ptys [je partys] de Lille |
|
10 |
19 |
Allemande les soldatz de Guyse / Styme(?) qui [Taunie?] |
|
11a
11b |
20 |
Allemande de Estudiantz
Reprinse |
|
12 |
21 |
Allemande de Deux Dames |
Not the same as the piece by the same title found in Phalese, etc. |
13 |
22 |
Allemande fort une Infortunee |
|
14 |
23 |
Allemande de fleur |
|
15 |
24 |
Allemande |
|
16 |
25 |
Allemande :- no seroit on dire Le mal et martire |
|
17 |
[omitted] |
Era di magio |
|
18 |
26 |
Allemande D'anvers |
|
19 |
27 |
Allemande heureux celluy Qiu [i.e. qui] pour passer |
Piece contains fully underlaid French text (to be sung?) |
20 |
28 |
Allemande De lorayne |
|
21 |
29 |
Gaillarde [Belle qui me va martirant] |
Piece contains fully over- and underlaid French text (to be sung?).
Picot #60, text without music, may also contain words that go with this piece. According to the notes I received with the copy, the rubric(?) reads "Complainte d'ung amant a s'amye ". The opening line of the text is listed as "Belle, qui me va martirant ". |
22 |
30 |
Passemezo Folye |
|
23 |
31 |
Gaillarde cara cossa |
|
24 |
32 |
passemezo De france |
|
25 |
33 |
Gaillarde [Torcys?] |
Includes test at the bottom of the page (meant to be sung?) beginning "Si Lamour est de telle qualitié" |
26 |
34 |
Gaillarde O Cupido |
|
27 |
35 |
Gaillarde Dytalie |
|
28 |
36 |
Gaillarde Dytalie |
|
29 |
37 |
Gaillarde Qui passe |
Half of a duet? Treble to piece #30. |
30 |
[omitted] |
Qui passe Bassus |
Half of a duet? Bassus to piece #29. (Cittern a 5th below standard tuning.) |
31 |
38 |
Gaillarde Romanesque |
|
32 |
39 |
Chanson Bon iour mon ♥ [i.e. Bon jour mon coeur] |
(Heart simbol is used in the original title, though open, not filled.)
A texted(?) version of this piece in G clef appears in the MS. See Picot #8. |
33 |
40 |
Chanson nouvelle |
|
34 |
41 |
Chansõ Madonna mia pieta |
|
35 |
42 |
Gaillarde Despaigne |
|
36 |
47 |
Bassus Vous avez logez |
Half of a duet? Bassus part. |
37 |
48 |
Branle de Champaigne |
|